Kata
搜索"Kata" ，找到 26部影视作品
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耶尔齐·霍夫曼
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西元9世纪以前，辽阔的东欧处於诸侯割据的混乱局面，王室与诸侯的关係非常紧张。老国王的暴毙使得王位的继承权成为了导火索。主持国政的波佩尔亲王则是野心勃勃，而亲王妃更是个毒辣的女人，她一心要把儿子推上王位，却遭到诸侯一致反对。於是波佩尔亲王决定先下杀手……阴謀残害王子，为了防止诸侯反抗，假称病危连夜召集各诸侯集会并进行了屠杀於是波佩尔亲王登基成了国王，他和王妃子成为王储。 亲王的暴行激起了诸侯的愤怒，纷纷调集军队组成联军，联合讨伐亲王，大军所到之处摧城拔寨，大破亲王重重防线……为了保住江山，亲王不惜以割地引来了强大兇悍的北欧海盗，使联合军遭到惨重损失，大军处处受阻，驍勇的泽莫维特在关键时刻显出了武士本色，与海盗展开最后的决战……决斗中杀死了海盗首领，使敌军迅速溃败；联军乘胜追击，攻破亲王宫殿……王国恢復了和平……
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汤浅政明
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一天雨夜，青年漫画家西（今田耕司 配音）在地铁站出来遇见了初恋梦中情人弥（前田沙耶香 配音）。西送弥回家途中得知了弥已订婚，随后，他被弥邀请到酒馆喝酒，弥的未婚夫也来了，西虽然嫉妒弥的未婚夫，但自愧不如。这时，黑社会来到店里，原来弥被黑社会所追杀，打晕了弥的男友并要强奸弥，西则蜷缩一旁不敢动弹。黑社会发现了一旁的西，用枪爆了他的屁眼。前一刻，西还沉醉于与初恋梦中情人相逢时的甜蜜，下一刻就肛门中枪，贯穿脑部，死于非命。当西等人上了天堂，西觉得自己死得很难看，后悔人生过得很窝囊，决心再度复活。他们一行人违反神的意旨，并回到地上的世界，却阴差阳错却来到了鲸鱼的肚子里，接下来又将会有什么等待着他们呢……
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永田琴
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体育记者西胁哲朗（桐谷健太）与大学时代所属美式橄榄球部经理的理沙子（国仲凉子）结了婚，但是夫妻感情不和。某天，哲朗与早田幸弘（大谷亮平）、须贝诚（和田正人）等男性队友开完同学会回家的路上，哲朗与须贝两人偷偷潜入大学操场，遇到了曾任橄榄球部经理的日浦美月（中谷美纪）。浑身散发着不同寻常的气氛的美月说出了令人震惊的话语——“我杀了人”。其后在哲朗家中，美月对哲朗、须贝和理沙子坦白自己患有性别认同障碍。而且以男性身份在夜总会担任调酒师的美月在人迹罕至处杀死了纠缠女招待佐伯香里（中村安妮）的客人。一开始哲朗等人哑口无言，但加上原属橄榄球部队员且曾经是美月前男友的中尾功辅（铃木浩介），他们决定要保护美月。不久，美月失踪了。哲朗在寻找美月的过程中，接连面临充满苦恼的事实。
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达科·米特沃斯基
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《加时赛》是一个基于真实事件的动人故事，它从一个国家对足球狂热的视角讲述了战争时期的恋爱和忠诚。在1941年的马其顿，自傲的足球运动员考斯塔和美丽的家庭富裕的犹太女孩瑞贝卡堕入爱河。但当他们决定要结婚的时候，瑞贝卡的父亲和她脱离了父女关系。当战争在他们国境边缘肆虐的时候，大多数马其顿人民还沉浸在爱国热情高涨的欢乐世界中。每个人都渴望着考斯塔的#8230;
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Anna,Wieczur-Bluszcz
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Talent and assion for music can take one to the very to. On the way, however, there are going to be showbiz tras. There is money, fame and fan crowds involved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called quot;Music Racequot; kees looking for talented singers all over the country. The decision on who will be started-u for a career and who will get a cold shower is always u to the three jurors: a once-oular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (laying herself). During an audition held in Olo#39;s home town, there is a row. The erson who starts it is quot;Ostraquot; (layed by Katarzyna Sawczuk). The rebel teen is outraged by the juror#39;s arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show#39;s roducer (Tomasz Karolak), who ushes quot;Ostraquot; through to the next stage. There, it will turn out that the girl doesn#39;t just have a fiery temer, but a great voice as well. Success, though, comes at a rice. Being oular is not as leasant as many eole think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage cometition, the ruthless world of show business, and, most imortantly, her own feelings.
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彼得·斯崔克兰德
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卡塔林（希尔妲·佩特HildaPéter饰）有着一段不堪回首的过往，她选择将糟糕的往事深深的埋藏在心底。成年之后，卡塔林遇见了现在的丈夫（拉茨洛·马特雷LászlóMátray饰），两人组成了家庭，生下了两个活泼可爱的儿子。某一日，丈夫在无意之中发现了卡塔林的秘密，并且得知两个孩子之一的奥班（NorbertTankó饰）并非自己亲生。愤怒之中，丈夫将卡塔林和孩子赶出了家门。带着孩子，流落街头无处可去的卡塔林决定踏上寻找奥班亲生父亲的旅途，她要直面曾经的恐惧和屈辱，向所有伤害过她的人施展报复。然而随着时间的推移，残酷的现实不断的打击着卡塔林的决心。
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乌罗什·斯托扬诺维奇
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故事发生在一个风景秀丽的小镇之中，时值战争期间，村里精壮健康的男性都被征召入伍，不是正在前线上奋勇拼杀，便是早已经化为尘土，留下一帮妻女在家中无尽守望。此时村中唯一的男性，只一位垂垂老矣的老伯，这也就意味着，他成为了全村女性传宗接代的唯一指望。梅尔（卡塔丽娜·拉德沃耶维奇KatarinaRadivojevic饰）和奥格杰尼卡（SonjaKolacaric饰）姐妹两是村中仅存的两位哭丧人，某一日，奥格杰尼卡竟然在误打误撞之中导致了那位仅存的老伯的死亡，愤怒的村民们迅速包围了两人，想要将她们杀之而后快。为了保命，姐妹两决定下山寻找男性带回村子，幸运的是，她们竟然真的找到了一位英俊年轻的帅小伙。
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Vandana,Kataria
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It is winter in a restigious all boys#39; boarding school, where children continue to ractice age-old rituals and codes bound by years of hierarchy of the oular norm. Shay is icked at constantly, the main eretrators being Arjun, the tall athletic sorts catain and his best friend Baadal. Shay and Prithi, the sunky daughter of the new Junior School Princial are cast as Bassanio and Portia in the Founders Day roduction of Merchant of Venice. Murali, the charismatic drama teacher unknowingly adds salt to Baadal#39;s wounds by casting him as Shay#39;s understudy. Indignant, Baadal vows to get Shay#39;s art at any cost and turns to his buddy Arjun for hel. Events take a sinister turn when Shay walks in on Arjun, Baadal and their cronies on a debauched night.
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Anna,Wieczur-Bluszcz
剧情：
Talent and assion for music can take one to the very to. On the way, however, there are going to be showbiz tras. There is money, fame and fan crowds involved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called quot;Music Racequot; kees looking for talented singers all over the country. The decision on who will be started-u for a career and who will get a cold shower is always u to the three jurors: a once-oular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (laying herself). During an audition held in Olo#39;s home town, there is a row. The erson who starts it is quot;Ostraquot; (layed by Katarzyna Sawczuk). The rebel teen is outraged by the juror#39;s arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show#39;s roducer (Tomasz Karolak), who ushes quot;Ostraquot; through to the next stage. There, it will turn out that the girl doesn#39;t just have a fiery temer, but a great voice as well. Success, though, comes at a rice. Being oular is not as leasant as many eole think. Our teenage hero will have to face a genuine test of integrity and character. The young star is about to take on her stage cometition, the ruthless world of show business, and, most imortantly, her own feelings.
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皮奥特尔·舒尔金
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 with quot;Feminaquot;, based on a novel by Krystyna Kofta and insired by Luis Bunuel.
The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhay in her rivate life. After her husband dearts for a foreign scholarshi, Bogna learns that her mother died. The tri to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.
As beautifully mounted as any of Szulkin#39;s films, it#39;s full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.